My work explores notions of homelands, memory, and identity (re)construction through a feminist and decolonial perspective. I use alternative processes in photography, filmmaking, and social practice to address the absence of family archives that Latine communities experience in the diaspora. In my work, I delve into how immigrants grieve the loss of their identities and homes, and how they rebuild them, focusing on a non-linear process. At the same time, I am interested in exploring how memory functions, highlighting the fragmentation of time and space that often occurs. My practice relies on the use and creation of archives, as well as on collaborative artmaking and community building, where participants share agency and creative power. The presence and liberation of the body—whether individual or collective—becomes an active response to this absence. By placing equal emphasis on both process and product, my art becomes a social and political practice that empowers immigrant communities while challenging social stereotypes.